Structure: Polycarbonate, Aluminum Extrusion, 3D Printer, Acrylic, LED Lighting, Stainless Steel Fasteners
Limited Edition Roosters: Polylactide (PLA) Plastic
Make and Take is a joyful celebration of creation that is meant to spark discussion about how things were, are, and can be made.
The centerpiece of Make and Take is a 3D printer, perched on a glowing and translucent white acrylic box. Within the enclosure of the installation, which is reminiscent of both a vending machine and a museum case, plastic filament is algorithmically and mechanically composed into a rooster figurine.
The work speaks to the democratization of manufacturing. With technologies like the 3D printer used for Make and Take, individuals can now produce objects once made exclusively by wealthy enterprises. Make and Take shines a light on how accessible technologies make it possible for everyone to design and realize their ideas with significantly fewer resources. In encountering Make and Take, the public is invited to view a marvel of modern technology: the ability to ‘print’ physical objects. The 3D printer, while remaining to be a curiosity, can be purchased for the cost of a laptop. It is on its way to democratizing manufacturing and fabrication just as the computer and the Internet have democratized information.
The 3D-printed rooster – dispensed for free by the installation - was adapted from 3D scanning a porcelain artifact from the Museum of Fine Arts, Boston. The original object belongs to a class of objects catalogued as “China for Export,” which denotes a class of porcelain created in China by Chinese artisans specifically for export to Europe and the Americas. The Chinese artisan(s) behind the porcelain is unknown, but now – through digital scanning and 3D printing – their work is shared with the world.
Video by Boston Magazine
Editors Note: Make and Take will produce 2,000* roosters this year.
Chris Templeman is an artist, engineer, and educator. Raised in the Cleveland, Ohio area, Chris now lives and works in Somerville, Massachusetts. He works out of Artisan’s Asylum along with his collaborators at New American Public Art. In his engineering practice, Chris refines available technology for different contexts, making it more accessible in the process. Providing access to technology is a main theme in his work. Make and Take is his first major public art piece. Chris finds the most contentment in transforming his ideas into tangible objects. He welcomes opportunities to share the promise and perils of 3D printing through discussion and practice.